Tongue twister template in Markdown: similar sounds
Bobby Huang ·
The block in A twister with room to pause pairs a title placeholder with a sentence naming two similar sounds, an invented line, its phrase divisions and a brief note about length.
Key takeaways
- A line built around sound limits the piece to one short tongue twister.
- A twister with room to pause holds the single Markdown example.
- Jane Doe's choices explains the repeated s and sh sounds in the invented line.
- Keeping the line small describes cutting words that make the line hard to follow.
- Twister filename choice gives this example a .md name.
A line built around sound
A tongue twister is a short line that repeats similar sounds, making it hard to say quickly. This template gives one original line room on the page, followed by the same words divided into phrases for a slower first read.
The focus is the sound of that single line. It isn't a script for a talk lasting several minutes or a figurative passage developed across paragraphs. The small scene gives the repeated sounds something to describe.
Use .md as the ending when saving this Markdown text. A title identifies this little piece, while the next sentence names its paired sounds.
A twister with room to pause
For the fictional Doe reading group, fictional writer Jane Doe invents a tongue twister. Her line fills the sound and phrase portions below; leave your own title where the bracketed text sits. Replace her words with a line you invent when reusing the template.
# [Title of your tongue twister]
This line plays on s as in sip and sh as in ship.
Six shy seals sift shiny sand.
Six shy seals / sift shiny sand.
Jane Doe keeps this line brief enough to read aloud without losing its small scene.
The fence above displays the Markdown characters as text; Markdown code blocks explains that fence notation. The slashes belong to the divided copy of the line. They suggest pauses on a slow first read without changing the order of the words.
Jane Doe's choices
In Jane Doe's invented scene, seals sift sand. The s sound returns in six, seals, sift and sand; sh returns in shy and shiny. Those similar sounds recur within a compact image instead of a longer narrative.
The whole line appears before the divided copy so the reader encounters the sentence intact. A slash then separates its subject from its action. The second copy keeps every word from the first, including the same ending punctuation.
Keeping the line small
Choose words whose meaning you can follow aloud. If an extra description buries the little scene, shorten it. Here, shy and shiny supply sh sounds while the seals and sand keep the image concrete.
The closing note inside the example asks for brevity and readability aloud. It belongs to the reusable template, apart from the twister itself. A brief note leaves the invented line prominent.
Twister filename choice
For this example, seals-sift-sand.md names the little scene without repeating the full sentence. Keep your own title inside the file and choose a brief filename that distinguishes the piece. For naming details, consult the guide to .md filenames.
Where Sashmark fits
Sashmark, in development, has a planned desktop focus: Markdown reading alongside Markdown editing. People receiving .md files written by agents are its intended audience. The twister can sit within that collection of Markdown.
Questions
- Which sounds does the example repeat?
- The invented line repeats s as in sip and sh as in ship.
- Why put slashes in the second copy?
- The slashes divide the same words into short phrases for a slower first read.
- Who wrote the example within the fiction?
- Jane Doe makes up the line for the fictional Doe reading group.